Rembrandt Not Rembrandt

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Author by : Hubert von Sonnenburg
Languange Used : English, France, Spanish, Italia and chinese
Page : 411
Isbn : 0870997548
Identifier : 9780870997549
Release : 1995
Publisher by : Metropolitan Museum of Art
Category :
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Rembrandt/Not Rembrandt in the Metropolitan Museum of Art Aspects of Connoisseurship

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Author by : Hubert Von Sonnenburg
Languange Used : English, France, Spanish, Italia and chinese
Page : 432
Isbn : 9780300086607
Identifier : 0300086601
Release : 1995
Publisher by : Metropolitan Museum of Art
Category : Art
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Description : Read Now Rembrandt Not Rembrandt In The Metropolitan Museum Of Art by Hubert Von Sonnenburg and you can download with pub, pdf, txt, doc, and more file format with free account. a two-volume catalogue of the museum's paintings by rembrandt as well as pictures once thought to be by the master but now recognised as the efforts of his pupils, contemporary followers, and the occasional later imitator.

Rembrandt/not Rembrandt in the Metropolitan Museum of Art: Paintings, drawings, and prints: art-historical perspectives

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Author by : no defined
Languange Used : English, France, Spanish, Italia and chinese
Page : 233
Isbn :
Identifier : UOM:39015037275941
Release : 1995
Publisher by : no defined
Category : Art
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Rembrandt/not Rembrandt in the Metropolitan Museum of Art Aspects of Connoisseurship

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Author by : Rembrandt (Harmensz van Rijn)
Languange Used : English, France, Spanish, Italia and chinese
Page : 411
Isbn :
Identifier : UOM:39015037275883
Release : 1995
Publisher by : no defined
Category : Art
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A Corpus of Rembrandt Paintings IV Self-Portraits

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Author by : Ernst van de Wetering
Languange Used : English, France, Spanish, Italia and chinese
Page : 690
Isbn : 1402032803
Identifier : 9781402032806
Release : 2005-10-18
Publisher by : Springer Science & Business Media
Category : Art
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Description : Read Now A Corpus Of Rembrandt Paintings Iv by Ernst van de Wetering and you can download with pub, pdf, txt, doc, and more file format with free account. volume iv of a corpus of rembrandt paintings deals uniquely with the self-portraits of rembrandt. in a clearly written explanatory style the head of the rembrandt research project and editor of this volume, ernst van de wetering, discusses the full body of work of paintings and etchings portraying rembrandt. he sets the different parameters for accepting or rejecting a rembrandt self-portrait as such, whilst also discussing the exact working environment of rembrandt and his apprentices. this workshop setting created a surroundings where apprentices could be involved in working on rembrandt paintings making it more difficult to determine the hand of the master. van de wetering, who is one of the rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques rembrandt uses, also giving an overview of which paintings are to be attributed to the dutch master and which not. in the additional catalogue the self-portraits are examined in detail. in clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. details are shown where possible, as well as the results of modern day technical imaging like x-radiography. this work of art history and art research should be part of every serious art historical institute, university or museum. nowhere in the art history have all rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as ernst van de wetering. this is a standard work for decades to come.

The Biblical Rembrandt Human Painter in a Landscape of Faith

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Author by : John I. Durham
Languange Used : English, France, Spanish, Italia and chinese
Page : 255
Isbn : 9780865548862
Identifier : 0865548862
Release : 2004
Publisher by : Mercer University Press
Category : Art
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Description : Read Now The Biblical Rembrandt by John I. Durham and you can download with pub, pdf, txt, doc, and more file format with free account. the biblical rembrandt presents the human rembrandt in the context of his faith. that faith can be studied only by an intense look at this paintings, etchings, and drawings depicting biblical persons, scenes, and moments. about rembrandt's life, we know very little that is certain, but he has left us abundant testimony of his sensitive reading of the bible. written from the perspective of a biblical specialist who has pored over rembrandt's testimony, durham writes not for the art historian, but for those who love the bible, for those who love rembrandt, and for those who want to know more about the meeting of this dutchman and his biblical text. durham confesses he has lived with the (changing) canon of rembrandt's works for more than forty years, with the biblical texts he loved open before me. this book is the summary of that experience. not every work of rembrandt based on the bible is discussed: that would have required commentary on more than 900 works. durham has selected his favorites, the ones that seem to him most reflective of rembrandt's faith, about 130 works in all. each of these paintings, etchings, and drawings is reproduced in the context in which it is described, the paintings in full color. where important details are difficult to see, they are isolated, and enlarged as necessary. in his biblical works rembrandt invites us to read the bible just as he read it, in personal terms: flawed, as he was; reaching, as he did; and experiencing the bible as a book about ourselves.

Responses to Rembrandt

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Author by : Anthony Bailey
Languange Used : English, France, Spanish, Italia and chinese
Page : 140
Isbn :
Identifier : UOM:39015032581004
Release : 1994
Publisher by : Timken Pub
Category : Art
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Description : Read Now Responses To Rembrandt by Anthony Bailey and you can download with pub, pdf, txt, doc, and more file format with free account. in 1968, a group of dutch scholars known as the rembrandt research project, feeling that the master's oeuvre was inflated, began to take rembrandt to task. the group's members traveled around the world, subjecting rembrandt to intense scrutiny: they x-rayed paintings; examined the rendering of lace, hands, and signatures; counted threads of warp and woof. paintings long considered rembrandts started to fall. then, in 1984, one of the members of the project suggested, in print, that the polish rider might be next. perhaps this painting, "one of the world's masterpieces," wasn't a rembrandt after all but the work of a lesser-known pupil, willem drost.

Rembrandt/Not Rembrandt in the Metropolitan Museum of Art Aspects of Connoisseurship

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Author by : Hubert Von Sonnenburg
Languange Used : English, France, Spanish, Italia and chinese
Page : 432
Isbn : 9780300086607
Identifier : 0300086601
Release : 1995
Publisher by : Metropolitan Museum of Art
Category : Art
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Description : Read Now Rembrandt Not Rembrandt In The Metropolitan Museum Of Art by Hubert Von Sonnenburg and you can download with pub, pdf, txt, doc, and more file format with free account. a two-volume catalogue of the museum's paintings by rembrandt as well as pictures once thought to be by the master but now recognised as the efforts of his pupils, contemporary followers, and the occasional later imitator.

Rembrandt and the Female Nude

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Author by : Eric Jan Sluijter
Languange Used : English, France, Spanish, Italia and chinese
Page : 448
Isbn : 9053568379
Identifier : 9789053568378
Release : 2006
Publisher by : Amsterdam University Press
Category : Art
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Description : Read Now Rembrandt And The Female Nude by Eric Jan Sluijter and you can download with pub, pdf, txt, doc, and more file format with free account. rembrandt’s extraordinary paintings of female nudes—andromeda, susanna, diana and her nymphs, danaë, bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. but they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. however, rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. why, then, do these works deviate so radically from the depictions of nude women by other artists? to answer this question eric jan sluijter, in rembrandt and the female nude, examines rembrandt’s paintings and etchings against the background of established pictorial traditions in the netherlands and italy. exploring rembrandt’s intense dialogue with the works of predecessors and peers, sluijter demonstrates that, more than any other artist, rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects rembrandt chose to depict. in this richly illustrated study, sluijter presents an innovative approach to rembrandt’s views on the art of painting, his attitude towards antiquity and italian art of the renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.

The Age of Rembrandt Dutch Paintings in the Metropolitan Museum of Art

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Author by : Esmée Quodbach
Languange Used : English, France, Spanish, Italia and chinese
Page : 72
Isbn : 9780300124064
Identifier : 0300124066
Release : 2007
Publisher by : Metropolitan Museum of Art New York
Category : Art
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Description : Read Now The Age Of Rembrandt by Esmée Quodbach and you can download with pub, pdf, txt, doc, and more file format with free account. "the metropolitan museum is home to the finest collection of dutch art outside of europe--including 20 works by rembrandt himself--and all 228 of these masterpieces are displayed together for the first time in this major special exhibition. the exhibition, which coincides with the publication of the first catalogue of the collection, celebrates rembrandt's 400th birthday. on view is a rich array of works dating mostly between 1600 and 1700--landscapes, genre pictures, still lifes, marine views, portraiture, and historical and biblical paintings--by rembrandt and other celebrated dutch masters such as frans hals, johannes vermeer, gerard ter borch, pieter de hooch, jacob van ruisdael, and aelbert cuyp. broadly outlining how the collection was formed, the exhibition reflects the taste for dutch art in america and among new york's great collectors of the past two centuries--"metropolitan museum of art web site, viewed may 5, 2010.

Rembrandt's Journey Painter, Draftsman, Etcher

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Author by : Clifford S. Ackley
Languange Used : English, France, Spanish, Italia and chinese
Page : 343
Isbn :
Identifier : UOM:39015057603311
Release : 2003
Publisher by : Museum of Fine Arts Boston
Category : Art
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Description : Read Now Rembrandt S Journey by Clifford S. Ackley and you can download with pub, pdf, txt, doc, and more file format with free account. the first comprehensive survey of rembrandt in years concentrates on his talent for visual storytelling, via paintings, prints, and drawings.

Fashion and Fancy Dress and Meaning in Rembrandt's Paintings

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Author by : Marieke de Winkel
Languange Used : English, France, Spanish, Italia and chinese
Page : 398
Isbn : 9789053569177
Identifier : 9053569170
Release : 2006
Publisher by : Amsterdam University Press
Category : Art
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Description : Read Now Fashion And Fancy by Marieke de Winkel and you can download with pub, pdf, txt, doc, and more file format with free account. until now dress has played only a subordinate role in the research of rembrandt’s paintings, despite the fact that few artists are as intensively studied as this dutch master. the lacuna is all the more surprising since rembrandt obviously delighted in rendering clothes, which, for him, not only communicated the character and social status of his sitters but also clarified his narratives and heightened the drama in his historical pieces. here, marieke de winkel offers a fascinating and much-needed study of dress and costume in the works of rembrandt. de winkel shows us how focusing on apparel opens a new line of inquiry into rembrandt’s paintings, one which is symbolically and iconographically richer than previously imagined. this approach, which has not been fully acknowledged by art historians nor developed by dress historians, deepens our understanding of rembrandt’s expression as well as the cultural and historical context of the dutch seventeenth century. de winkel proves the merits of the approach here with her close readings of rembrandt’s paintings and the contemporaneous connotations of the clothes he depicted. she demonstrates convincingly that clothes do much more than help date the paintings; they are instead integral to the program of representation. no longer ancillary to art history, dress and costume here receive their full due in this study, leaving us with not only a better understanding of rembrandt but of his wider world as well.